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Reproduction du tableau Ferme sous des arbres, à gauche un homme avec une brouette Hermanus van Brussel Reste Pologne offering a representative example of offering a representative example of the balance between faithful observation and decorative idealization characteristic of his era typical of 17th century religious painting on the Left a Man with a Wheelbarrow immediately captures a rural scene imbued with serenity and lively details anchoring the scene in everyday life
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